Seung-Hwan Oh works and lives in Seoul, where he was born and raised until moving to New York where he studied film and photography at CUNY Hunter College. His work and practice stem from his interest and approach toward other disciplinary thoughts and ideas, from philosophy to sciences. His most recent work, exhibited at Zaha Museum, was inspired by the notion of the first advent of vision in life on earth, and his current work focuses on implementing microbial growth on film as a means to explore the impermanence of matter as well as the material limitations of photography.
Born in Alaska, Sam grew up in Deep River Ontario, Canada. After attending the Alberta College of Art and Design in Calgary, he moved to New York to pursue illustration and attend graduate school at The School of Visual Arts. In addition to drawing, Sam works part time as assistant art director of the OpEd page at the New York Times, with senior art director Brian Rea. Current likes include Italian and Japanese comics, David Lynch movies, and hanging out with Jillian
Miss Christine Wu is an Los Angeles based certified practitioner of the arts and general awesome maker. Stylistically, her work is multi-layered with haunting and sexual undertones. She often depicts people in flux, capturing the vulnerability of self discovery.
IM CRYING LOOK AT THEIR PAINTINGS OF EACH OTHER IM BYE
Okay, I’m not going to make this a fandom blog, but this was great. I totally missed that they were painting pictures of each other when I watched the episode! And everyone else is trying to paint more realistically in more muted palettes. Anyway, I don’t think I can say that Reigisa is my favorite ship in the fandom, but it was my first one and they’re perfect and so close to being canon.
Sock, 22, struggling artist, closet weeaboo. This has turned out to be mostly an inspiration blog, with occasional cats, selfies, and random things. Also, I have a really hard time taking serious pictures of myself, so that explains that.